säde likes funny music but funnily enough they actually take music very seriously. costumes and a Bowie-esque look, choreographies from the east, genre-hopping-strange-stories-telling songs that mix hyperpop, ballads and rio funk and melodious backtracks run over by weirdly difficult arpeggios.

everything mentioned above is a part of a normal säde semper performance. to converse with gods or weep over past mistakes? to halfheartedly glorify thyself to a role of thebestintheworldforever or to find (half) the answers to all the worlds problems with one or two songs?

this all and more will be discussed during the present gig.

but as always: fiat lux, sed ex nihilo nihil fit.